Chioma Ebinama b. 1988, United States Anwulili Made Us in Her Likeness (Conception Sequence) and Our Conception, 2016 Ink and watercolor on Japanese kozo paper In Anwulili Made Us in Her Likeness (Conception Sequence) and Our Conception (2016), Chioma Ebinama explores how histories of image-making shape cultural identity....

 Christopher Myersb. 1974, United StatesNation of Refugees, 2017Appliqué fabric Inspired by appliqué quilt traditions, Myers’ large-scale textile works explore issues such as slavery, freedom, displacement, and oppression, among other social concerns. Nation of Refugees visualize some sort of existential reckoning, a claiming of place, voice, liberty....

 Kenneth Noland b. 1924, United States; d. 2010, United Statesafter Bell, ca. 1967Hooked (hand-tufted); Paternayan wool yarn on commercial cotton cloth Noland is a particularly rich case study in the history of American designer and tapestry artist Gloria Ross’ (1923–1998) work with textiles, as the painter...

 Gene Davisb. 1920, United States; d. 1985, United StatesThree Sisters, ca. 1982Acrylic on canvas Gene Davis and Kenneth Noland, both featured in this exhibition, were principal artists in what became known as 'Color Field Painting.' They were influenced in the 1950s by Helen Frankenthaler’s stained-canvas techniques,...

 Frank Stella b. 1936-2024, United StatesHagmatana I, 1967Acrylic and graphite on shaped canvas Frank Stella’s Hagmatana I is from the artist’s well-known Protractor series (1967–9, with additional works until 197). Its shaped canvas presents interlocking half circles that recall this mathematical tool, while in this context,...