02 Nov Norman Catherine
National Anthem, 1981
Norman Catherineb. 1949, South AfricaNational Anthem, 1981Airbrush, collage, and watercolor on paper...
Norman Catherineb. 1949, South AfricaNational Anthem, 1981Airbrush, collage, and watercolor on paper...
Sophie Calleb. 1953, FranceLes Tombes (FATHER/MOTHER), 1990Two gelatin silver prints, flush-mounted to aluminum, in artist’s frame, ed. of 7...
Magdalena Abakanowiczb. 1930, Poland; d. 2017, PolandTwins on Beam, 1997Burlap, resin, wood, and steel...
Shirin Neshat b. Iran, 1957The Fury, 2022Two-channel HD video installation, ed. 4/6 Shirin Neshat’s The Fury examines the traumatic scars inflicted on women under oppressive regimes, focusing on female political prisoners in Iran. This two-channel video installation juxtaposes vulnerability and defiance, immersing viewers in a charged...
Liliana Porterb. 1941, ArgentinaBreaking News, 2016Video, ed. 1/8...
Rashid Johnsonb. 1977, United StatesThe Negro Escapist Social and Athletic Club (Dr. Minton), 2010Gelatin silver print, ed. 3/3 + 2 AP...
Ray Smith b. 1959, United StatesEl rapto de las frutas, 1990Oil on panel, in twelve parts...
Larry Riversb. 1923, United States; d. 2002, United StatesThe Second Greatest Homosexual, 1965Acrylic, nails, wood collage, and Plexiglas on cardboard construction laid on panel...
Jorge Ribalta b. 1963, SpainDisassemblage from the series UNTITLED Canvases [1991–96] and ANTLITZ DER ZEIT [2002–04], 2024Gelatin silver prints on cotton fabric, selenium toned, mounted on wood stretchers; gelatin silver prints, selenium-toned, framed, in nineteen parts...
Rosângela Rennó b. 1962, BrazilUntitled (Boost) from the series Vermelha (militares), 2000Digital photograph, ed. of 5 + 1 AP Rosângela Rennó’s Boots is part of her Vermelha (militares) series, an exploration of the legacies of authoritarian regimes and the nature of memory. By overlaying archival photographs...
Fernando Sánchez Castillob. 1970, SpainTank Man, 2022Bronze, ed. 1/5 + 2 AP...
Reginald O’Neal b. 1992, United StatesThe Cellist, 2023Expanded polystyrene (EPS) foam, polyurethane paint, and topcoat The Cellist, a ten-foot-tall reimagining of a porcelain jazz figurine, represents Reginald O’Neal’s first sculptural installation. Extending his Entertainer series, the work critiques the commodification of Black artists, transforming a mass-produced...
Yoshua Okón b. 1970, MexicoChille, 2009Sixty-one resin sculptures covered in rough plaster, ed. 3/3 + 1 AP Yoshua Okón’s Chille reconstructs the funeral procession of Chilean dictator Augusto Pinochet, drawing on an idealized model of the event found in a private club in Santiago frequented by...
Juan Muñoz b. 1953, Spain; d. 2001, Spain0-60, 1999Oil stick and graphite on paper, in six parts...
Meleko Mokgosib. 1981, BotswanaSpaces of Subjection: Black Painting II, 2022Oil on canvas Through Spaces of Subjection: Black Painting II, Meleko Mokgosi examines the complexities of subjecthood and identity. Part of his ongoing project Spaces of Subjection, this work explores power, representation, and the ideological structures shaping...
Liliana Marescab. 1951, Argentina; d. 1994, ArgentinaUntitled. Liliana Maresca with her artwork, 1993 (printed 2004-16)Performance photographIlford Selenium gelatin silver print on Ilford fiber paper, ed. of 10 + APPhoto by Marcos López...
Zemba Luzambab. 1973, CongoThe Movement, 2016Oil on canvas...
Reynier Leyva Novob. 1983, CubaWhat It Is, What It Has Been (George Washington), 2023Stereolithography 3D print, acrylic white paint, plaster, and video...
Joy Labinjob. 1994, United KingdomStaring into the Abyss, 2021Oil on canvas...
Isaac Julienb. 1960, United KingdomThe North Star (Lessons of the Hour), 2019Photograph on gloss inkjet paper, mounted on aluminum, ed. 1/6 + 1 AP Rooted in history and poetic storytelling, Isaac Julien’s The North Star (Lessons of the Hour) draws inspiration from the life and legacy...