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 Shirin Neshat b. Iran, 1957The Fury, 2022Two-channel HD video installation, ed. 4/6 Shirin Neshat’s The Fury examines the traumatic scars inflicted on women under oppressive regimes, focusing on female political prisoners in Iran. This two-channel video installation juxtaposes vulnerability and defiance, immersing viewers in a charged...

 Reginald O’Neal b. 1992, United StatesThe Cellist, 2023Expanded polystyrene (EPS) foam, polyurethane paint, and topcoat The Cellist, a ten-foot-tall reimagining of a porcelain jazz figurine, represents Reginald O’Neal’s first sculptural installation. Extending his Entertainer series, the work critiques the commodification of Black artists, transforming a mass-produced...

 Yoshua Okón b. 1970, MexicoChille, 2009Sixty-one resin sculptures covered in rough plaster, ed. 3/3 + 1 AP Yoshua Okón’s Chille reconstructs the funeral procession of Chilean dictator Augusto Pinochet, drawing on an idealized model of the event found in a private club in Santiago frequented by...

 Meleko Mokgosib. 1981, BotswanaSpaces of Subjection: Black Painting II, 2022Oil on canvas Through Spaces of Subjection: Black Painting II, Meleko Mokgosi examines the complexities of subjecthood and identity. Part of his ongoing project Spaces of Subjection, this work explores power, representation, and the ideological structures shaping...

 Isaac Julienb. 1960, United KingdomThe North Star (Lessons of the Hour), 2019Photograph on gloss inkjet paper, mounted on aluminum, ed. 1/6 + 1 AP Rooted in history and poetic storytelling, Isaac Julien’s The North Star (Lessons of the Hour) draws inspiration from the life and legacy...